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Scholarly Interest Report
         
Marcia Citron
Professor
Martha & Henry Malcolm Lovett Distinguished Service Professor and Professor of Musicology and Music History
 
e-mail:citr@rice.edu
 
  • Ph.D. (1971) University of North Carolina, Musicology
  • M.A. (1968) University of North Carolina
  • B.A. (1966) Brooklyn College
 
Primary Department
   Shepherd School of Music
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Department Affiliations
 
  • Center for the Study of Women, Gender, and Sexuality
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    Research Areas
     Opera in Film, Women in Music, Gender, Canon Formation, Brahms
     
    Teaching Areas
     Romantic music, opera (Mozart and 19th century), gender and music, Brahms, opera on film
     
    Selected Publications
     Abstracts
     

    Citron, M. ""The Performance of Vision in Peter Sellars's Television production of *Cosi fan tutte*"." Music, Sensation, and Sensuality (2002) : 213-29.

     
     Refereed articles
     

    Citron, Marcia J. "Opera and Film," for Oxford Handbook of Film Music, ed. David Neumeyer. Oxford: Oxford University Press, 2013, 44-71.

     
     

    Citron, Marcia J. ""'To Reconsider Operatic Values on the Screen': Tony Britten's Film Falstaff," JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY." In Revision

     
     

    Marcia J. Citron, "The Operatics of Detachment: Tosca in the James Bond Film Quantum of Solace," Nineteenth-Century Music 34/3 (Spring 2011): 316-40.

     
     

    Marcia J. Citron ""'An Honest Contrivance:' Opera and Desire in Moonstruck"." Music and Letters (journal), 89 (2008) : 56-83.

     
     

    "'An Honest Contrivance': Opera and Desire in Moonstruck." Music and Letters (2007)

     
     

    Citron, Marcia ""An Honest Contrivance:" Opera and Desire in Moonstruck." Music and Letters (journal)Submitted

     
     

    Citron, Marcia "Gendered Reception of Brahms: Masculinity, Nationalism, and Musical Politics." Book: Men Sounding Off: Modernity, Masculinity, and Western Musical Practice, ed. Ian Biddle and Kirsten GibsonIn Revision

     
     

    "Operatic Style and Structure in Coppola's Godfather Trilogy." The Musical Quarterly, 87 (2004) : 423-67.

     
     

    "Subjectivity in the Opera Films of Jean-Pierre Ponnelle." Journal of Musicology, 22 (2005) : 203-40.

     
     Articles
     

    Citron, Marcia J. "Franco Zeffirelli's Opera-Films," in Italian Journal, October 2013.

     
     

    Citron, Marcia J. Program Notes, Da Camera's Concert "Romantic Trailblazers: Robert Schumann, Clara Schumann, Johannes Brahms," November 2013.

     
     

    Marcia J. Citron. "Opera and Film," for Oxford Handbook of Music in Film and Visual Media, ed. David Neumeyer. Oxford University Press, forthcoming; submitted revised version.

     
     

    Marcia J. Citron, "Opera and Visual Media," for Oxford Handbook of Opera, ed. Helen Greenwald; Oxford University Press, forthcoming; revised version submitted.

     
     

    Marcia J. Citron, "Guest Editorial: The Impact of Gender and the Musical Canon the Past Twenty Years," Special Issue on Gender, ed. Susan Campos, Revista Transcultural de Musica [Spain] 15 (2012): forthcoming.

     
     

    Marcia J. Citron. "Opera and Film," for Oxford Handbook of Music in Film and Visual Media, ed. David Neumeyer. Oxford University Press, submitted (publication forthcoming).

     
     

    Marcia J. Citron, "Soll ich lauschen? Love-Death in Humoresque," in Wagner and Cinema, ed. Jeongwon Joe & Sander Gilman. Indiana University Press, 2010, 167-85.

     
     

    Marcia J. Citron, "The Operatics of Detachment: Tosca in the James Bond Film Quantum of Solace," Nineteenth-Century Music 34/3 (Spring 2011): in press.

     
     

    Citron, Marcia J. "Gender and the Musical Canon: A Retrospective View by the Author," Jahrbuch Music und Gender, vol. 3; forthcoming

     
     

    Citron, Marcia J. "Männlichkeit, Nationalismus und musikpolitische Diskurse: Die Bedeutung von Gender in der Brahmsrezeption," History/Herstory: Alternative Musikgeschichten, ed. Annette Kreutziger-Herr and Katrin Losleben. Köln: Böhlau Verlag, 2009, 333-75.

     
     

    Marcia J. Citron ""'Soll ich lauschen?' Love-Death in Humoresque"." Wagner and Cinema (2009) In Press

     
     

    Marcia J. Citron ""Mannlichkeit, Nationalismus und musikpolitische Diskurse: Die Bedeutung von Gender in der Brahmsrezeption"." History/Herstory (2008) : 353-75.

     
     

    "'Soll ich lauschen'? Love-death in Humoresque." Wagner and CinemaSubmitted

     
     

    Citron, Marcia J. ""Feminist Waves and Classical Music: Pedagogy, Performance, Research"." Women in Music, 8 (2004) : 47-60.

     
     

    Citron, Marcia J. ""Operatic Style & Structure in Coppola's *Godfather* Trilogy"." The Musical Quarterly, 87/3 (2004) In Press

     
     

    Citron, Marcia J. ""Subjectivity in the Opera Films of Jean-Pierre Ponnelle"." Journal of Musicology, 22/2 (Spr. 2005) In Press

     
     

    Citron, Marcia J. ""Feminist Waves and Classical Music: Performance, Pedagogy, Research"." Women and Music ([2005]) Submitted

     
     

    Citron, Marcia J. ""Opera Without Words: Coppola's *Godfather* Trilogy"." The Musical QuarterlySubmitted

     
     

    ""Straw Men and Suppressed Women: A Response to Marian Wilson Kimber"." Nineteenth-Century MusicIn Press

     
     

    ""Straw Men and Suppressed Women: A Response to Marian Wilson Kimber"." Nineteenth-Century MusicIn Press

     
     

    Citron, M. ""The Structure of Time in Jean-Pierre Ponnelle's Film *Rigoletto*"." Cambridge Opera JournalSubmitted

     
     

    ""The Elusive Voice: Absence & Presence in Ponnelle's Film *Le nozze di Figaro*"." Between Opera and Cinema (2002) : 135-55.

     
     Books
     

    Marcia J. Citron. When Opera Meets Film. Cambridge University Press, 2010.

     
     

    Citron, Marcia J. When Opera Meets Film. Cambridge University Press, 2010.

     
     

    Citron, Marcia J. When Opera Meets Film. Cambridge University Press, 2010.

     
     

    Citron, Marcia "Book Proposal--When Opera Meets Film: Style, Subjectivity, Desire." Submitted

     
     

    Citron, Marcia J. "Gender and the Musical Canon." : 260.

     
     

    Citron, Marcia J. "Opera on Screen." : 300 pages.

     
     Book chapters
     

    Citron, Marcia J. "The Erotics of Masculinity in Zeffirelli's Film Otello," in Masculinity in Opera, ed. Philip Purvis. London: Routledge, 2013, 84-101.

     
     

    Citron, Marcia J. ""L'absence et la présence: Le Chant intérieur dans l'opéra-film Le nozze di Figaro de Jean-Pierre Ponnelle," LES PLIS DE LA VOIX, ed. Martine de Gaudemar. Paris: Lambert Lucas, 2012.." 

     
     

    Citron, Marcia J. ""Opera and Film," OXFORD HANDBOOK OF MUSIC IN FILM AND VISUAL MEDIA, ed. David Neumeyer; Oxford University Press." In Press

     
     

    Citron, Marcia J. ""The Erotics of Masculinity in Zeffirelli's Film Otello," MASCULINITY IN OPERA, ed. Philip Purvis; Routledge." In Press

     
     

    Marcia J. Citron, "Gender and the Musical Canon: A Retrospective View by the Author," Jahrbuch Musik und Gender 3 (2010): 25-34.

     
     

    Citron, Marcia J. "Affirmation and Resistance: Operatic Exoticism in Film," Opera, Exoticism, and Visual Culture: The Fin-de-siècle and its Legacy. forthcoming.

     
     

    Citron, Marcia J.  "Kanon," for Handbuch Gender. Bärenreiter-Verlag; in press.

     
     

    Citron, Marcia J. "Opera and the Media," Oxford Handbook of Opera, ed. Helen Greenwald. Oxford University Press, forthcoming.

     
     

    Marcia J. Citron ""Kanon"." Handbuch GenderIn Press

     
     

    Citron, Marcia J. ""Cecile Chaminade and Her Piano Sonata"." New Historical Anthology of Music by Women (2004) : 243-45.

     
     

    Citron, Marcia J. ""Introduction to Fanny Mendelssohn Hensel"." New Historical Anthology of Music by Women (2004) : 134-35.

     
     Book reviews
     

    Citron, Marcia J. "Review of OPERATIC AFTERLIVES, by Michal Grover-Friedlander (Zone Books, 2011), in MUSIC AND LETTERS 93/3 (Aug. 2012): 441-43.." 

     
     

    Citron, Marcia J. "Review of Sally Macarthur's TOWARDS A TWENTY-FIRST-CENTURY FEMINIST POLITICS OF MUSIC (Ashgate, 2010), in MUSIC & LETTERS 93/3 (Aug. 2012): 443-45.." 

     
     

    Marcia J. Citron, Review of Operatic Afterlives by Michal Grover-Friedlander (Zone Books, 2011); submitted to Music and Letters (UK), forthcoming.

     
     

    Citron, Marcia J. Review of The Gendered Score: Music in 1940s Melodrama and the Woman's Film, by Heather Laing (Ashgate, 2007); in journal Music and Letters 90/2 (May 2009): 315-17.

     
     

    Marcia J. Citron "Review of Heather Laing's Book, The Gendered Score: Music in 1940s Melodrama and the Woman's Film." In Press

     
     

    "Review of *Changing Tunes: The Use of Pre-Existing Music in Film*, ed. Powrie & Stilwell." Music and Letters, 88/4 (2007) : 698-702.

     
     

    "Review of *Composers in the Movies*, by Tibbetts." Music and Letters, 88/1 (2007) : 171-75.

     
     

    Citron, Marcia "Review of Book--Changing Tunes: The Use of Pre-Existing Music in Film, ed. Phil Powrie and Robynn Stilwell (Ashgate, 2006)." Music and Letters (journal)In Press

     
     

    Citron, Marcia "Review of Book--Composers in the Movies, by John Tibbetts (Yale University Press, 2005)." Music and Letters (journal)In Press

     
     

    Citron, Marcia "Review of Books--Cinema's Illusions, Opera's Allure, by David Schroeder (Continuum, 2002); and of Encyclopedia of Opera on Screen, by Ken Wlaschin (Yale University Press, 2004)." Music and Letters (journal), 87/1 (2006) : 78-82.

     
     

    "Review of Two Opera-Film Books: Cinema's Illusions, Opera's Allure (Schroeder), and Encyclopedia of Opera on Screen (Wlaschin)." Music and Letters (2006) In Press

     
     

    "Review of: Hollywood theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s (Annette Davison)." Music and Letters, 86 (2005) : 53-56.

     
     

    "Review of: Women's Voices Across Musical Worlds (Jane Bernstein)." Music and Letters, 86: 508-12.

     
     

    Citron, Marcia "Review of Book *Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s*, by Annette Davison." Music and Letters (May 2005) In Press

     
     

    Citron, Marcia J. "Review of *Women's Voices Across Musical Worlds*, ed. Jane Bernstein." Music and Letters (2005) In Press

     
     Conference papers
     

    "A Bicentennial Reflection: 25 Years with Fanny Hensel." Nineteenth-Century Music Review, 4/2 (2007) : 7-20.

     
     

    "Women and the Western Art Canon: Where Are We Now?." Music Library Association NOTES, 64/2 (2007) : 209-15.

     
     

    "A Bicentennial Reflection: Twenty-Five Years with Fanny Hensel." Nineteenth-Century Music ReviewIn Press

     
     

    Citron, M. ""American Musicology & the Culture of Change"." Proceedings of the 13th Nordic Musicological Congress 2000 (2002)

     
     Other
     

    Citron, Marcia J. "Review of DVD of Salzburg Festival's Production of La Bohème (2012)," in press in Nineteenth-Century Music Review.

     
     

    Marcia J. Citron, "Kanon," in Handbuch Gender, ed. Melanie Unseld & Annette Kreutziger-Herr. Kassel: Bärenreiter-Verlag, 2010.

     
     

    Citron, Marcia J. "Coda: A Response to Marian Wilson Kimber," Nineteenth-Century Music Review 6/2 (December 2009): 175-76.

     
     

    Citron, Marcia J. Jacket Publicity Blurb for R. Larry Todd, Fanny Mendelssohn Hensel. Oxford University Press, 2009.

     
     

    Marcia J. Citron "Reviews of Houston Grand Opera Productions: The Magic Flute, La Boheme, and Billy Budd." Opera News (2008)

     
     

    "Liner Notes for CD *Il Pianoforte all'Opera* (Calogero Di Liberto, pianist)."  (2007)

     
     

    "Reviews of Houston Grand Opera Productions: Faust, Aida, Un Ballo in Maschera." Opera News (2007)

     
     

    Citron, Marcia "Reviews of Houston Grand Opera Productions." Opera News (2006)

     
     

    "Reviews of Houston Grand Opera Productions: Madama Butterfly, Falstaff, Il Trovatore, Boris Godunov." Opera News (Magazine of the Metropolitan Opera Guild) (2005) : various.

     
     

    Citron, Marcia J. "Review of Houston Grand Opera production of *Madama Butterfly*." Opera News (2005) In Press

     
     

    Citron, Marcia J. "Reviews of 2004 Productions of Houston Grand Opera: *The Barber of Seville,* *Turandot*, and *La Boheme*." Opera News (2004) : hard copy & online.

     
     

    Citron, Marcia J. ""Cecile Chaminade"." *New Historical Anthology of Music by Women,* ed. BriscoeIn Press

     
     

    Citron, Marcia J. ""Fanny Mendelssohn Hensel"." *New Historical Anthology of Music by Women,* ed. BriscoeIn Press

     
     

    Citron, Marcia J. "Reviews of Operas *La Boheme* and *Lucia di Lammermoor*." *Opera News* (2003) : various & online.

     
     

    Citron, M. "Review of "Unsung: A History of Women in American Music"." Music and Letters, 83/3 (2002) : 482-85.

     
     

    Citron, M. "Reviews of "Rigoletto," "Tannhauser," "Eugene Onegin," and "La Boheme"." Opera News (2002) : various (& online).

     
     

    Citron, Marcia J. "The Performance of Vision in Peter Sellars's Television Production of *Cosi fan tutte*." Music, Sensation, and Sensuality (pending) : 110-28.

     
     

    Marcia J. Citron "The Elusive Voice: Absence & Presence in Ponnelle's Film *Le nozze di Figaro*." Between Opera and Cinema (Pending) : 135-55.

     
     

    Citron, Marcia "American Musicology & the Culture of Change." Proceedings of the Nordic Musicological Congress 2000 (Pending)

     
     

    Citron, Marcia "Gendered Sonata form: Toward a Feminist Critical Tradition." Frauen- und Maennerbilder in der Musik. Festschrift fuer Eva Rieger zum 60. Geburtstag (2000) : 165-77.

     
     

    Citron, Marcia "Review of Three Books on Women in Music (by Judith Tick, Lucy Green, and Ralph Locke/Cyrilla Barr)." Signs: Journal of Women in Culture and Society, 26 (2000) : 324-28.

     
     

    Citron, Marcia "The Elusive Voice: Absence & Presence in Ponnelle's Film Le nozze di Figaro." Between Opera and Cinema (pending)

     
     

    Citron, Marcia "The Performance of Vision in Peter Sellars's Television Production of Cosi fan tutte." Music, Sensation, and Sensuality (Pending)

     
     

    Citron, Marcia "Review of Three Books on Women and Gender in Music (by Tick, L. Green, and R. Locke & C. Barr)." Signs: Journal of Women in Culture and Society (2000 (pending)) : 6.

     
     

    Citron, Marcia J. "Gendered Sonata Form: Toward a Feminist Critical Tradition." Bilder in Weiblichkeit und Maennlichkeit, ed. Freia Hoffmann (2000 (pending)) : 12.

     
     

    Citron, Marcia J. "The Elusive Voice: Absence & Presence in Jean-Pierre Ponnelle's Film, Le nozze di Figaro." Between Opera and Cinema, ed. Jeongwon Joe and Rose Theresa (2000 (pending)) : 25.

     
     

    Citron, Marcia J. "Review of MUSIC, GENDER, EDUCATION by Lucy Green." Music and Letters, 79/3 (1998) : 459-62.

     
    Presentations
     Invited Papers
     

    Citron, Marcia J. "Gender and the Musical Canon: A Retrospective View by the Author," Opening Presentation of Session on Gender and the Musical Canon; Conference "Gender Studies in der Musikwissenschaft," Forschungszentrum Musik und Gender, Hochschole für Musik, Hannover (Germany), October 2009.

     
     

    ""Towards Critical Approaches in Brahms"." American Brahms Society Panel, Annual Meeting of American Musicological Society, Nashville. (November 2008)

     
     

    "The Elusive Voice: Absence and Presence in Ponnelle's Film *Le nozze di Figaro*." "La voix dans tous ses etats: Autour de Stanley Cavell (Sciences et philosophie)", Universite de Paris X (Nanterre). (November 2007)

     
     

    "Women and the Western Art Canon: Where Are We Now?." Music Library Association Annual Meeting, (March 2007)

     
     

    Delivered a paper; organized the event.  "Cavalleria Rusticana as the Climax of Coppola's Godfather Trilogy." Intersections of Opera and Film/Rice University (I'm the host and organizer), Shepherd School, Rice. (1 April 2006)

     
     

    ""Gender, Reception, and the Music of Brahms"." International Conference on Romanticism, session sponsored by American Brahms Society, Texas A&M Intnl. University, Laredo, TX. (15 October 2004)

     
     Invited Talks
     

    ""'Soll ich lauschen'? Listening and Love-Death in Humoresque," Belfer Sound Archive at 50: Symposium, Syracuse University." (October 2013)

     
     

    Marcia J. Citron, "Gender and the Musical Canon: A Retrospective View by the Author," Universidad Autonoma de Madrid, 16 October 2010.

     
     

    ""Gendered Reception of Brahms: Masculinity, Nationalism, & Musical Politics," Cincinnati Conservatory of Music." College-Conservatory of Music, University of Cincinnati, (April 2009)

     
     

    ""Moonstruck: Film, Opera, and Art," Museum of Fine Arts Houston." (November 2009)

     
     

    ""Thoughts on Researching Women," commemorative session of Committee on the Status of Women, AMS." (November 2009)

     
     

    ""Who Was Cécile Chaminade: A Millennial Look at the Fin-de-siècle Composer," Duke University." (January 2009)

     
     

    "Women Composers of Art-Song." "Villa Maria" Song Salon Series, Houston. (January 2007)

     
     

    ""Feminist Waves & Classical Music"." Texas Women's University, Departments of Music and Women's Studies, (30 March 2004)

     
     

    ""Feminist Waves & Classical Music: Pedagogy, Performance, Research"." University of North Carolina-Chapel Hill, Depts. of Music and Women's Studies, (5 February 2004)

     
     

    ""Opera on Film: Music, Image, Sound"." Texas Women's University, Department of Music, (31 March 2004)

     
     

    ""Feminist Waves & Classical Music: Pedagogy, Performance, Research"." Conservatorio di Bari, Bari, Italy. (25 November 2003)

     
     

    ""Feminist Waves and Classical Music: Pedagogy, Performance, Research"." Conservatorio di Bari, Bari, Italy. (25 November 2003)

     
     

    ""Of Feminist Waves & Music"." Committee on the Status of Women, American Musicological Society, Columbus, OH. (Oct. 31, 2002)

     
     

    ""Voice, Agency, & Presence in Jean-Pierre Ponnelle's film *Le nozze di Figaro*"." University of Alberta, Edmonton, Canada. (May 24, 2002)

     
     Keynote Speaker
     

    Marcia J. Citron, "Intermediality and the Opera/Film Encounter," Musicology Keynote, Conference "Discourses of Music, Sound, and Film: A Meeting of Disciplines," University of Texas, Austin, 12 February 2010.

     
     

    ""Affirmation and Resistance: Operatic Exoticism on Film"." Conference "Opera, Exoticism, and Visual Culture: The Fin-de-Siecle and Its Legacy", School of Advanced Study, University of London. (September 2008)

     
     

    "A Bicentennial Reflection: Twenty-Five Years with Fanny Hensel." Fanny Hensel and Her Circle: A Bicentennary Celebration, Oxford University. (July 2005)

     
     

    "Twenty-Five Years with Fanny Hensel: Perspectives on the History & Future of Hensel Research." AMS Chapter Meeting/Conference on Fanny Hensel, Converse College. (Oct. 2005)

     
     Lectures
     

    "Operatic Style in Coppola's Godfather Films." Y. Ping Sun's house, (1 March 2006)

     
     

    ""The Opera-Films of Jean-Pierre Ponnelle"." University of North Carolina-Chapel Hill, Department of Music, (6 February 2004)

     
     Other
     

    ""The Female Dancing Body in Opera-Film: Powell and Pressburger's The Tales of Hoffmann," International Conference, Genre et Création dans l'Histoire des Arts Vivants," Paris." (December 12, 2013)

     
     

    Marcia J. Citron, "The Operatics of Detachment: Tosca in the James Bond Film Quantum of Solace," refereed presentation at conference "Music and the Moving Image," New York University, May 2011.

     
     

    "BBC Interviewed Expert on Chaminade for 5 Radio Broadcast Shows in "Meet the Composer" Series." BBC-3 Radio Network, (June 2008)

     
     

    "Gendered Reception of Brahms: Masculinity, Nationalism, and Musical Politics." International Musicological Society Congress, Zurich. (July 2007)

     
     

    "Gendered Reception of Brahms: Masculinity, Nationalism, and Musical Politics." Annual Meeting of the American Musicological Society, Washington, DC. (Oct. 2005)

     
     

    "The Elusive Voice: Absence & Presence in Ponnelle's Film *Le nozze di Figaro*." Humanities Institute, Bucknell University, (April 2001)

     
     

    "The Elusive Voice: Absence and Presence in Ponnelle's film *Le nozze di Figaro*." University of N. Texas, (April 2001)

     
     

    "American Musicology and the Culture of Change." Keynote Address for Music & Culture Session, Nordic Musicological Congress, University of Aarhus, Denmark, University of Aarhus, Denmark. (16 August 2000)

     
     

    "Gender, Voice, and Performance in the Powell-Pressburger Film, Tales of Hoffmann." University of Nebraska-Lincoln, University of Nebraska-Lincoln. (23 March 2000)

     
     

    "Interior Singing in Opera Film: Ponnelle's Le nozze di Figaro." In and Out of Opera/University of Santa Cruz Humanities College, Santa Cruz. (29 October 2000)

     
     

    ""Excess & Reduction in Film-Opera: Desdemona and the Feminine in Zeffirelli's Otello." Shakespeare On Screen: The Centenary Conference, Malaga, Spain. (21-25 September 1999)

     
    Editorial Positions
     Other, Studia Musicologica Norvegica. (2009 - 2009)

     Member of the Editorial Board, Studia Musicologica Norvegica. (2008 - 2008)

     Member of the Editorial Board, Studia Musicologica Norvegica. (2007 - 2007)

     Member of the Editorial Board, Women and Music: A Journal of Gender and Culture. (2005 - 2005)

     Member of the Editorial Board, Women in Music. (2006 - 2006)

     Editorial Board, Women and Music. Univ. of Nebraska Press. (2001 - 2001)

     Editorial Board, Women in Music: A Journal of Gender and Culture. University of Nebraska Press. (2000 - 2000)

     Editor, Women in Music: A Journal of Gender and Culture. Georgetown University. (1999 - 1999)

     Member of the Editorial Board, Journal, *Women and Music*. (2003 - 2003)

     AMS Award Committee, for Einstein Award, American Musicological Society. (2001 - 2001)

     Member of the Editorial Board, Women and Music: A Journal of Music & Culture. (2002 - 2002)

     Other, AMS Einstein Committee Chair. (2002 - 2002)

    Supervised Theses & Dissertations
     Rebecca Rockwood, MM in Music "Augusta Holmes: Les Argonautes & La Montaigne Noire". (2002) (Thesis or Dissertation Director)

     Kirsten Eade, DMA The Flute Music of Gillian Whitehead. (2003) (Thesis or Dissertation Director)

     Kirsten Eade, DMA (music) "The Flute Music of Gillian Whitehead". (2003) (Thesis or Dissertation Director)

     Brady Knapp, DMA (in Music) "Organ and Voice Music of Charles Stanford". (2003) (Thesis or Dissertation Director)

     Brady Knapp, DMA Charles Stanford's Sacred Music: Bible Songs. (2003) (Thesis or Dissertation Director)

     Jim Haisler, MM (Musicology) "Interpretive Approaches to the Lieder of Clara Schumann". (2003) (Thesis or Dissertation Director)

     Jim Haisler, MM in Musicology Selected Lieder of Clara Wieck Schumann. (2003) (Thesis or Dissertation Director)

     Philip Miller, DMA in composition "Invocatio" DMA Composition. (2004) (Committee Member)

     Peter van Beck, DMA in piano performance "Piano Pedagogy of Olga Samaroff". (2004) (Committee Member)

     Synnove Marlow, BM in Music History "Elements of the Past in Brahms's Music". (2004) (Thesis or Dissertation Director)

     Brandy Dawson-Marsh, MM in Musicology "Masses in the Medieval Burgundian Court". (2004) (Committee Member)

     Francesca DeFlorian, MM in Musicology Marco Anzoletti: A Preliminary Catalog of His Instrumental Works. (2005) (Committee Member)

     Tara Tachovsky, BM in music history "Masculinity in Beethoven's Music". (2005) (Thesis or Dissertation Director)

     Daphne Gerling, DMA Major Viola Works of 1919: Sonata for Viola & Piano by Rebecca Clarke, Sonata Op. 11 #4 by Hindemith, and Suite for Viola & Piano by Ernest Bloch. (2005) (Thesis or Dissertation Director)

     Tara Tachovsky, BM in Musicology Masculinity in the Image and Influence of Beethoven. (2005) (Thesis or Dissertation Director)

     Calogero Di Liberto, DMA Opera at the Keyboard: DiLiberto's "Cavalleria rusticana" Paraphrase in Context of Romantic Paraphrase. (2005) (Thesis or Dissertation Director)

     Calogero Di Liberto, DMA Calogero DiLiberto's Fantasy on Cavalleria Rusticana in the Context of the Romantic Opera Fantasy for Piano. (2006) (Thesis or Dissertation Director)

     Daphne Gerling, DMA in viola performance "Rebecca Clarke". (2006) (Thesis or Dissertation Director)

     Calogero Di Liberto, DMA in Piano Performance "Liszt's Operatic Transcriptions for Piano". (2006) (Thesis or Dissertation Director)

     Lauren Holmes, BM Musicology Music and Musicality in the Works of Virginia Woolf. (2006) (Thesis or Dissertation Director)

     Daphne Gerling, DMA Three Viola Works of 1919: Bloch, Clarke, and Hindemith. (2007) (Thesis or Dissertation Director)

     TJ Hoffman, MM in Musicology Divine Apparitions: The Female Operatic Voice in Film. (2007) (Thesis or Dissertation Director)

     Stephan Hammel, BM (Musicology) The Forging of Chilean National Identity in the Music of Three Early 20th-Century Composers. (2007) (Thesis or Dissertation Director)

     Alexis Witt, MM (Musicology) Difficulty as a Component of Style. (2007) (Committee Member)

     T. J. Hoffmann, MM (Musicology) Gender and the Acousmatic Singing Voice in Selected Films. (2007) (Thesis or Dissertation Director)

     Daphne Gerling, DMA Connecting Histories: Identity and Exoticism in Ernest Bloch, Rebecca Clarke, and Paul Hindemith's Viola Works of 1919. (2007) (Thesis or Dissertation Director)

     Stephan Hammel, BM Musicology Past-Less Histories: Allende, Leng, Cotapos and the Invention of Musical Modernism in Chile. (2008) (Thesis or Dissertation Director)

     Rick Piersall, DMA "Gender and Compositional Style: "Ich stand in dunkeln Traumen" in Settings by Male & Female Composers). (2011) (Thesis or Dissertation Director)

     Rick Piersall, DMA Gender and Musical Style: "Ich stand in dunkeln Trauemen" by Male & Female Composers". (2012) (Thesis or Dissertation Director)

     Paul Richard Piersall, DMA Gender & Compositional Choice: Four Songs on a Poem of Heinrich Heine by Female & Male Composers. (2012) (Thesis or Dissertation Director)

     Maria Murphy, MM Female Sexual Identity & Characterization in Richard Strauss's SALOME. (2012) (Thesis or Dissertation Director)

     Wenli Zhou, DMA Paganini's 24th Caprice in Works by Other Composers. (2012) (Committee Member)

     Maria Murphy, MM Musicology Richard Strauss's SALOME: Female Sexuality & the Three Stages of Desire. (2012) (Thesis or Dissertation Director)

     Emily Boudreaux, MM Three Operas Based on Prévost's Novel MANON LESCAUT. (2013) (Thesis or Dissertation Director)

     Emily Boudreaux, MM Musicology "Defining Manon: Three Operas on Abbé Prévost's Manon Lescaut". (2013) (Thesis or Dissertation Director)

     Robert McClure, DMA DMA Composition Defense. (2013) (Committee Member)

     Qingfan Jiang, MM Musicology "Suite dans le style ancien: Reconstructing Memory in France, 1880-1920". (2014) (Committee Member)

     Robert Nelson, BM Musicology "Romantic Elements in Meyerbeer's Robert le Diable". (2014) (Thesis or Dissertation Director)

     Rick Piersall, DMA Voice Gender in Musical Composition: Lieder by Selected Male & Female Composers. (Thesis or Dissertation Director)

     Rick Piersall, "Gender & Compositional Style: 'Ich stand in dunkeln Traumen' by Male & Female Composers". (Thesis or Dissertation Director)

    Awards, Prizes, & Fellowships
     Elected to Honorary Membership in American Musicological Society,

     Board of Directors, American Musicological Society, (2008-10)

     Faculty Research Fellowship, Humanities Research Center at Rice (2008-09)

     Faculty Research Fellowship, Humanities Research Center, Rice (2008-09)

     Nominated for Board of Directors, American Musicological Society, (2007)

     Grant from CSC for Symposium "Intersections of Opera and Film", Center for the Study of Cultures (March-April 2006)

     Member of Einstein Award Committee, American Musicological Society (2001)

     Several Reviews of My Book *Opera on Screen*, Incl: MLA Notes, Musical Times, Times Literary Supplement, BBC Music Magazine, Classical Music, Opera Quarterly, Opera Now (2001)

     Reviewer for University Presses, Univ. of Illinois Press (2001)

     Marcia J. Citron, Lyrica Society for Word-Music Relations (1999)

     Marcia J. Citron, International Alliance for Women in Music (1999)

     Marcia J. Citron, American Musicological Society (1999)

    Positions Held
     Board of Directors, American Musicological Society. (2009 - 2009)

     Committee on Membership & Professional Development, AMS. (2009 - 2009)

     Kinkeldey Award Committee Member, AMS (for best book by senior scholar). (2012 - 2012)

     Book MS reader: Oxford University Press & University of California Press. (2011 - 2011)

     Board Member, AMS Committee on Membership & Professional Development. (2010 - 2010)

     Board of Directors, American Musicological Society. (2010 - 2010)

     Member, AMS Kinkeldey Award Committee (choosing best book by senior scholar). (2012 - 2013)

     Colin Slim Award Committee, American Musicological Society. (2007 - 2007)

     Reviewer of Book Manuscripts. (2005 - 2005)

     Board of Directors, American Musicological Society. (2008 - 2008)

     Chair, Einstein Committee, American Musicological Society. (2002 - 2002)

     Chair, Einstein Awards Committee, American Musicological Society. (2003 - 2003)

     Advisory Board of Journal *Studia Musicologica Norvegica*. (2007 - 2007)

     Editorial Board, Journal, *Women and Music*. (2003 - 2003)

     Reader of Book Manuscripts, University of Chicago Press. (2002 - 2002)

     Member, AMS Committee on Membership & Professional Development. (2008 - 2008)

     Journal Referee, Journal of the American Musicological Society. (2003 - 2003)

     External Dissertation Reader, University of Alberta, Music Department. (2002 - 2002)

     Member, AMS H. Colin Slim Award Committee. (2008 - 2008)

     Evaluation Committee for Gastprofessur in Gender Studies, Stiftung Marianne Steegmann (Germany). (2007 - 2007)

     Nominated for Board of Directors, American Musicological Society. (2007 - 2007)

     Referee for Scholarly Presses, University of Chicago Press, University of California Press. (2003 - 2003)

     Referee for *Journal of the Royal Musical Association*. (2007 - 2007)

     Referee for Scholarly Presses, University of Chicago Press, University of California Press. (2003 - 2003)

     Journal Referee, *Journal of Historical Sociology*. (2003 - 2003)